Monday, May 31, 2010

Coming Across a "Modern Sculpture"

This post is about Sir Anthony Caro, an English abstract sculptor who was born on the 8th of March, 1924 (exactly 62 years before I was born on the same day in 1986). He is widely viewed as Britain’s greatest living sculptor.


Below you can see some of his works:
Slow March (1985)
Steel, painted gold & red

Milbank Steps (2004)
Steel, rusted

Not So Flats (1975)
Steel, rusted & varnished
 
To see more of Caro's work click here!

The tribute work is not done by me this time. I found it in front of a mall called Kentpark in Ankara. I don’t exactly know who made this “installation” since it is done by workers of one of the stores. I guess pieces are going to be used as shelves in that store so the work is “an assembly of found industrial objects” like most of Caro’s works. I will try to find that store and take some pictures when they are in use (their actual use) then update this post. So here are the pictures of the anonymous work:
And some details of the "installation":
This installation made me think how easy to make modern sculptures and this is not a disdain of modern art. On contrary, it is exaltation because the ability to observe and the courage to see the esthetics of the simple are what make art, art.

Update: I found the store which used those hexagons. It is Harvey Nichols' Kentpark store which will open its doors today (June 7, 2010) Unintentionally, it sounded like an advertisement. So here are the photos of vitrines:   


Tuesday, May 18, 2010

MINIMUM with SUNFLOWER

One of the major sculptors in Turkey, Şadi Çalık, will be our second guest.

The reason why I make a tribute to Çalık is that I had great times under one of his sculptures. All of the students of Middle East Technical University (METU) know that sculpture because it is like a meeting place to relax between some boring lectures. The sculpture which is realized in 1966 is called METU Ataturk Memorial. It is a milestone for Turkish sculpture because it is the first abstract style Ataturk memorial in Turkey.

And for those who are not familiar with the Ataturk Memorial, here is a picture of another well-known sculpture of him: Galatasaray 50th Anniversary Monument, in the shape of an arrow reaching to the sky, a symbol of development and progress and a memorial in witness of three generations of Istanbul inhabitants. In this work his use of lines as a material can be seen. His obsession for using line and the idea that it could express many things is a feature of his understanding of clarity, lightness and volatility.

His work "Minimum" which he created in 1957 will be the main inspiration of this post’s work. Şadi Çalık explains his Minimum as “the worth of a single line in space”. For this tribute, I used a dry sunflower which I’ve picked from our garden. When I picked them up I didn’t know how exactly I was going to use them but I loved them because they were so straight and stiff. They had still their roots on them but no leaves. They looked very potent. I think this immediate attraction was because of the power of a single line as Şadi Çalık mentioned before as “the worth of a single line in space”.

Below you can see the original "Minimum" of Şadi Çalık and my "Minimum with Sunflower" respectively:
  
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